You can find most of my publications at the links below. Feel free to write me if you’d like access to anything that isn’t readily available, or if you just have thoughts or questions.
“Rethinking Replication in Leonard Meyer’s Theory of Musical Style.” In The Oxford Handbook of Music and Corpus Studies. Edited by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn. Oxford University Press, 2025 (online).
“Language, Gesture, Style: Adorno’s Theory of Musical Reproduction between Musicology and Art History.” In Dialektik der Schrift: Zu Adornos Theorie der musikalischen Reproduktion, Julia Freund, Matteo Nanni, Jakob M. Schermann, and Nikolaus Urbanek, eds. Wilhelm Fink-Verlag, 2022 (open access).
“Digital Scores, Algorithmic Agents, Encoded Ontologies: On the objects of musical computation.” In Material Cultures of Music Notation: New Perspectives on Musical Inscription. Floris Schuiling and Emily Payne, eds. Routledge, 2022.
“Leonard Meyer’s Theory of Musical Style, from Pragmatism to Information Theory.” Resonance: The Journal of Sound and Culture 2.4 (2021).
“‘All of the rules of jazz’: Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation.” Music Theory Online 26.3 (September 2020).
“Enminded, Embodied, Embedded: The Concept of Musical Style from Leonard Meyer to Machine Learning.” Yale University, 2020.